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CRANACH, Lucas the Elder
German painter (b. 1472, Kronach, d. 1553, Weimar).
German painter and engraver. The son of a painter, he settled in Wittenberg c.1504 and was court painter successively under three electors of Saxony. There he maintained a flourishing workshop and was twice burgomaster. Cranach was a close friend of Martin Luther, whose doctrine he upheld in numerous paintings and woodcuts, and he has been called the painter of the Reformation. He was a rapid and prolific painter, and the work turned out by his studio is uneven in quality. Naïve and fanciful, often awkward in draftsmanship, it has, nonetheless, freshness and originality and a warm, rich palette. His portraits are particularly successful. Among his best-known works are Repose in Egypt (Gemäldgalerie, Staatliche Mus., Berlin-Dahlem); Judgment of Paris (Staatliche Kunsthalle, Karlsruhe); Adam and Eve (Courtauld Inst., London); and Crucifixion (Weimar). The latter contains figures of Luther and Cranach. His many famous protraits include those of Elector John Frederick and Self-Portrait (Uffizi). Cranach was also an accomplished miniaturist. He produced a few copperplates and designs for woodcuts. His son and pupil Lucas Cranach, the Younger, 1515C86, Related Paintings of CRANACH, Lucas the Elder :. | The Fountain of Youth (detail) sd | Rest on the Flight to Egypt (mk08) | Virgin and Child (detail) hhgr | The Fountain of Youth (mk08) | The Three Graces dg | Related Artists: Adrien ManglardFrance (1695 -1760 ) - Painter
Francisco Collantes (1599-1656) was a Spanish Baroque era painter.
Collantes was born in Madrid but sought influence from Jusepe de Ribera and the Neapolitan School. He was also influenced by 16th century Venetian painters and was renowned for his landscapes and biblical scenes. Franz DvorakFranz Dvorak (1862-1927)
The Hungarian painter, F. Dvorak, has won a reputation by pictures of the decorative order, of which "Spring" is an excellent example. As is common with painters of his nationality, he is a particularly fine colorist.
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